2018 – HMS Pinafore & Trial by Jury

Click show poster above to see the photo gallery for this production.

Director & Choreographer – Claire Camble-Hutchins
Musical Director – Helen Brind

Cast (in order of appearance)

Trial by Jury HMS Pinafore
Usher James Rosser Little Buttercup Amanda King
Defendant – Edwin David Robinson Boatswain Mike Griffiths
The Learned Judge Mike Griffiths Dick Deadeye James Rosser
Counsel to the Plaintiff Fiona Aucott Ralph Rackstraw Richard Moore
Plaintiff – Angelina Eleanor Riley Captain Corcoran Bruce Vyner
 Foreman of the Jury Tony Broomfield Josephine Amy McIntosh
The Other Woman Martha Jenkins Sir Joseph Porter KCB Robin Lavies
 

 

 

 

Cousin Hebe Tanya Lerche-Lerchenborg
Boatswain’s Mate David Robinson
Ensemble

Gillian Blake, Claudio Bollani, Wendy Costigan, Angela Elliott, Graham Elliot, Mike Fuller, Roz Golby, Holly Harris, Amanda King, Robin Lavies, Tanya Lerche-Lerchenborg, Tony Lock, Amy McIntosh, Richard Moore, Jantina Mulder, Roy Perrins, Kimberley Rowland, Christine Skidmore, Ann Terry, Hannah Watkins

Ensemble

Fiona Aucott, Gillian Blake, Claudio Bollani, Tony Broomfield, Wendy Costigan, Angela Elliot, Graham Elliot, Mike Fuller, Roz Golby, Holly Harris, Martha Jenkins, Tony Lock, Jantina Mulder, Roy Perrins, Eleanor Riley, Kimberley Rowland, Christine Skidmore, Ann Terry, Hannah Watkins

 

Excerpts from SceneOne Plus Trial by Jury / HMS Pinafore Review

by  Steve O’Neill review   18 October 2018

“I am a renewed man and all the richer for going to see production.

It was absolutely brilliant from the first opening note to the last strident chord!

Set in front of curtains, the evening began with the rousing chorus of Trial by Jury………the stage was packed by a very sizeable chorus of very, very fine monochrome singers.  The overall effect was highly stylised both in the acting and of a black and white film with splashes of colour coming from the defendant’s new girlfriend, jilted fiancée and the Judge. I love minimalism in theatre so the use of two simple frames that became doors, dock and juror’s bench really impressed.

After 35 minutes that felt more like 10, the utter nonsense and hilarity of Trial by Jury came to an end and I was thoroughly awake, energised and eagerly awaiting HMS Pinafore……………….The director, Claire Camble-Hutchins, brought some brilliant touches to the whole production which was deftly performed and hugely funny.  She even brought bits of it (more) up to date – I loved the ‘20s flapper girls, Sir Joseph Porter’s entourage, and she even sneaked in a few very modern references to hilarious effect.………………..The cast were all fantastic, obviously having the time of their lives and the sizeable audience couldn’t help but have a great time too.

Full review link   http://sceneoneplus.com/trial-by-jury-hms-pinafore/

Excerpt from Stour and Avon Magazine Review – 26th October 2018

by Julie Adams 

“………………..Good work by Musical Director Helen Brind who coaxed singers and orchestra to make the most of Sullivan’s sublime music and plaudits to Director and Choreographer Claire Camble-Hutchins. She used her cast – and Gilbert’s witty words – imaginatively to produce a stylish, fast-paced and entertaining double-bill. Look out for Bournemouth GaSP next year, surprises are promised. “  

HMS Pinafore & Trial by Jury Reviews

Please see below for press reviews of our recent production of HMS Pinafore & Trial by Jury. 

Excerpts from NODA Review by Brian Oliver (2 November 2018)

“Two very good shows which made for a very enjoyable evening”

“The setting for Trial by Jury was very simple……. I liked the idea of having all the cast with white faces, wearing black and white costumes, with only the judge, the plaintiff and the other woman wearing red. Together with the simple set I thought overall it looked very effective.”

“The principal characters were all excellent, and their singing was superb.”

“There was a traditional set for HMS Pinafore that looked very impressive”

“Yet again the principal roles were all excellent”

“The orchestra sounded fabulous throughout the evening”

“I thought that director had added some wonderful touches and ideas to give it a more up to date feel, which also created more comedy, whilst keeping the G&S traditionalists happy at the same time.”

Full review link:  https://www.noda.org.uk/show-reports/hms-pinafore-and-trial-by-jury

 

Excerpts from SceneOne Plus Review by Steve O’Neill (18 October 2018)

“I am a renewed man and all the richer for going to see production.

It was absolutely brilliant from the first opening note to the last strident chord!

Set in front of curtains, the evening began with the rousing chorus of Trial by Jury………the stage was packed by a very sizeable chorus of very, very fine monochrome singers.  The overall effect was highly stylised both in the acting and of a black and white film with splashes of colour coming from the defendant’s new girlfriend, jilted fiancée and the Judge. I love minimalism in theatre so the use of two simple frames that became doors, dock and juror’s bench really impressed.

After 35 minutes that felt more like 10, the utter nonsense and hilarity of Trial by Jury came to an end and I was thoroughly awake, energised and eagerly awaiting HMS Pinafore……………….The director, Claire Camble-Hutchins, brought some brilliant touches to the whole production which was deftly performed and hugely funny.  She even brought bits of it (more) up to date – I loved the ‘20s flapper girls, Sir Joseph Porter’s entourage, and she even sneaked in a few very modern references to hilarious effect.………………..The cast were all fantastic, obviously having the time of their lives and the sizeable audience couldn’t help but have a great time too.”

Full review link   http://sceneoneplus.com/trial-by-jury-hms-pinafore/

 

Excerpt from Stour and Avon Magazine Review by Julie Adams (26 October 2018)

“………………..Good work by Musical Director Helen Brind who coaxed singers and orchestra to make the most of Sullivan’s sublime music and plaudits to Director and Choreographer Claire Camble-Hutchins. She used her cast – and Gilbert’s witty words – imaginatively to produce a stylish, fast-paced and entertaining double-bill. Look out for Bournemouth GaSP next year, surprises are promised.”  

 

 

 

 

 

 

2017 – The Gondoliers

Gondoliers Poster (2017)

Click on the poster above to view the Gondoliers Photo Gallery

Director – Claire Camble-Hutchins
Musical Director – Helen Brind
 
The Duke of Plaza-Toro – Ian Metcalfe
Luiz – David Robinson
Don Alhambra del Bolero – Mike Griffiths
Marco Palmieri – Adam Davis
Giuseppe Palmieri – Henry Halewood
Antonio – Tony Broomfield
Annibale – Patrick D’Ardenne
The Duchess of Plaza-Toro – Amanda King
Casilda (her daughter) – Eleanor Riley
Gianetta – Mehreen Shah
Tessa – Amy McIntosh
Fiametta – Tanya Lerchenborg
Vittoria – Lucy Holt
Giulia – Sharon White
Inez (The King’s Foster Mother) – Gill Linford
 
Gondoliers, Contadine and Citizens:
Wendy Costigan, Patrick D’Ardenne, Linda Dry, Ruth Flower, Mike Fuller, Roz Golbey, Martha Jenkins, Adrian Lane,
Gill Linford, John Newth, Roderick Parsons, Roy Perrins, Kimberley Rowland, Christine Skidmore, Liz Sutherland,
Ann Terry
 

Sceneoneplus review excerpts from the review by K D Johnson

“Stylish projected sequences onto hanging boards during the overture tell some of the back story of the principals, showing the infant Casilda growing up in Spain and the infant prince growing up in Venice and then the adult Casilda and her parents journeying overseas to Venice. The projections onto these boards throughout the show are something that D’Oyly Carte couldn’t even have dreamed of, but it is one of the many excellent modernisations of this show”………..

…….. “It seems traditional, certainly with this society, to insert some modern references and humour into Gilbert’s libretto, so we chuckle at the implication that the Spanish Inquisitor is so well informed because ‘he follows it all on Twitter’, or that Marco and Giuseppe have no-one to ‘like their Facebook posts’ – good stuff!

The costumes and wigs are colourful and extravagant, the effects and staging are stylish, the orchestra are superb, the singing is excellent, the choreography is delightful, the sound quality is flawless. I am running out of superlatives.“

See the full review here: http://sceneoneplus.com/the-gondoliers/

2016 – The Mikado

Mikado Poster (2016)

Click on the poster above to open The Mikado photo gallery.

Director – Claire Camble-Hutchins
Musical Director – Keziah Jacombs
 
The Mikado of Japan – Michael Griffiths
Nanki-Poo – Adam Davis
Ko-Ko – Ian Metcalfe
Pooh-Bah – Robin Lavies
Pish – Tony Broomfield
Tush – Patrick D’Ardenne
Yum-Yum – Mehreen Shah
Pitti-Sing – Camilla Foster Mitchell
Peep-Bo – Amy McIntosh
Katisha – Amanda King
 
Chorus of School-Girls, Nobles and Guards:
Fiona Aucott, Stephen Batten, Wendy Costigan, Linda Dry,
Roz Golbey, Chris Heaslip, Adrian Lane, Tanya Lerchenborg,
Gill Linford, Jantina Mulder, John Newth, Roy Perrins, Eleanor Riley,
David Robinson, James Rosser, Kimberley Rowland,
Christine Skidmore, Liz Sutherland, Ann Terry, Alan Wilson
and Neil Winkley

NODA Review

“…This was a very enjoyable production with a superb orchestra, excellent chorus singing and top class leading performers, largely following a traditional style with simple and very effective choreography. Thecostumes were excellent…”

Scenoneplus review excerpts from the review by Linda Kirkman

“….the company is so lucky to have several young principals who, because of their youth, make their roles seem so right. Adam Davis (Nanki-Poo), Mehreen Shah (Yum-Yum), Camilla Foster Mitchell (Pitti-Sing) and Amy McIntosh (Peep-Bo) are all utterly believable, singing and acting exceptionally well….

….Ian Metcalfe is no stranger to playing Ko-Ko either, and he comes close to stealing the show with a superb performance in which, as tradition demands, his Little List includes recent headlines including, of course, Brexit and Donald Trump. He is well complemented by Amanda King’s outstanding Katisha, and the two of them really are a match made in heaven, not least during the moving and beautifully performed Tit Willow….

….There is very strong chorus work, with simple but unusual and effective choreography, and whilst standing holding bamboo ‘frames’ to complement the main set might look easy, the men involved in this certainly had their work cut out during ‘Here’s a how-de-do’ as they ran about the stage….

….the rapturous applause from a near-capacity first-night audience showed that this beautifully costumed production has been received very well indeed, as it most certainly deserves.

See the full review here http://sceneoneplus.com/the-mikado/